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About Us
Classical music & opera
‘I’ve always been a glass half full person’
Aldeburgh festival’s outgoing CEO Roger Wright
Album review
Mahler: Symphony No3 – grandeur and beauty in Vänskä’s sober approach
Conductor completes his Mahler cycle with this unfussy and effective recording
Album review
Rectangles and Circumstance – collaborative and gleefully eclectic collection
All five musicians share writing and performing duties on these 10 songs. The closing version of Schubert’s An die Musik is mesmerisingly beautiful
Review
Winterreise – agony and ecstasy as Bostridge and Drake bring Schubert’s song cycle to dramatic life
The Guardian picture essay
Love, laughs and lavish designs: The Merry Widow at Glyndebourne
Review
Blond Eckbert – Judith Weir’s bare-bones opera kicks off Aldeburgh festival
Anguished arias and Anna Nicole Smith
Antonio Pappano’s heart-stopping Royal Opera highs
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Live reviews
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Katia and Marielle Labèque review – Glass’s Cocteau trilogy perfumes the air, literally
Katya Kabanova review – Romaniw soars in cogent take on Janáček’s tragedy
Il Trittico review – an eloquent, gutsy outpouring of Puccini’s passion and pain
The Merry Widow review – De Niese and Olvera are compelling, but camp fun stifles subtlety
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Album reviews
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Sibelius and Prokofiev Violin Concertos album review – freewheeling rapport never sounds forced
To Sing of Love album review – sweetly glowing, beautifully coloured choral music
Schubert: String Quartets in G, D887 and B Flat, D112 album review – Takács take their time, this time
Schoenberg: Expressionist Music album review – thoughtful and illuminating collection
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‘I’m still arsing around on instruments like when I was a kid’
Jonny Greenwood
‘Music for you must only be an ornament’
How Fanny Mendelssohn’s voice was stifled, then saved
News
ENO’s music director resigns over proposed cuts to musical staff positions
Conducting
Joana Mallwitz is the first woman to lead a Berlin orchestra. And, no, she hasn’t seen Tár
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The spy, the songbird and the sham that wasn’t
How I restored broadcasting history
I’ve got the Hovis ad in one ear and the Battle of Orgreave in the other
My obsession with brass bands
Conor Mitchell:
‘Russian protest punk and symphonies might seem worlds apart. But the idea is the same: weaponise your art’
Alison Balsom
‘This is the most important piece written for the trumpet in 200 years’
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Guides
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Know the score
Without Ethel Smyth and classical music's forgotten women, we only tell half the story
Leah Broad
The best classical music works of the 21st century
A guide to contemporary classical music
A musical tour of Europe
Stephen Moss's guide to the music of Europe's great cities: Berlin
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