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Peter Bart

Peter Bart

Editor-At-Large

Peter moved to Deadline in 2016 from his longtime home at Variety, where he had been a fixture since 1989 as that trade's Editor-In Chief. He began his career as a staff reporter for The Wall Street Journal and The New York Times before his entry into the movie business, becoming Vice President for Production at Paramount. At that studio, he played a key role in such films as The Godfather, Rosemary’s Baby and Harold & Maude. He later served as Senior Vice President for Production at MGM and, later, as President of Lorimar films. Peter is also the author of nine books, and is a member of PMC's board of advisors.

More From Peter Bart

Peter Bart: Cannes Festgoers Dote On Parties & Applause While ‘Bleak Week’ Fans Plunge Into Grateful Despair

A Media Moment: News Organizations Challenged To Win Public Trust In An Assault Of Mixed Messages

Peter Bart: Trapped In A Circus Of Sleaze, David Pecker Had Looked For An Escape Route

Peter Bart: In Movies As In Politics, Young Protagonists Are Scarce These Days

Peter Bart: Eleanor Coppola Played Quiet But Vital Role As Family’s Matriarch

Peter Bart: Bob Iger’s Proxy War Victory Recalls Corporate Skirmishes Of Hollywood Past

Peter Bart: Movie Sequels And Prequels, Like Trump Trials, Challenge Patience With Same Old Stories

Peter Bart: Resurgent Rom-Coms Might Be The “Prod Of Positivity” We’re Looking For

Peter Bart: ‘Poor Things’ Oscar Wins Prove Voters’ New-Found Appetite For Dark Horses

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