How Tomer Zvulun Turned the Atlanta Opera Around Despite a mounting economic crisis in the world of opera, his company has been on a transformational upward trajectory. By Alexandra Tremayne-Pengelly
Cultural Comings and Goings: Brooke Lampley Leaves Sotheby’s for Gagosian and More Lampley will join the gallery later this year as a senior director. By Alexandra Tremayne-Pengelly
This Utterly Refreshing ‘Orfeo ed Euridice’ Is Both Mythic and Modern Love is the great bedazzler in Mark Morris’ Met production. By Gabrielle Ferrari
Countertenor Anthony Roth Costanzo On Training, Technique and Radical Operatic Expression By Annie Levin
With Electrifying New Casts, the Met’s ‘Carmen’ and ‘Butterfly’ Are Worth a Second Look By Christopher Corwin
Explicitly Feminist and Vibrantly Colorful, the Met’s ‘El Niño’ Shines in More Ways Than One By Gabrielle Ferrari
Tenor SeokJong Baek Opens Up About His Tenor Transformation and the Pursuit of Success By Annie Levin
The Met Goes Three for Three with Sierra and Bernheim’s Unforgettable ‘Roméo et Juliette’ By Christopher Corwin
Review: Roman Grygoriv and Illia Razumeiko’s ‘Chornobyldorf’ Burns Bright at the Prototype Festival By Annie Levin