Neil Diamond, Catherine Bainbridge talk 2024 Hot Docs world premiere ‘Red Fever’
”One of the things we’re known for is not shaming people.”
Drew Simon of FilmNation label Infrared talks early strategy: “I want to make clutter-busters” (exclusive)
“We saw an opportunity to deliver action movies, comedy movies, thrillers, sci fi and horror.”
Nthibah Pictures heads on fully financing projects, filming in South Africa, plans for ‘Boy Kills World’ spin-offs
“What makes us a little different is that we are making content for the global marketplace,” says CEO Simon Swart.
‘Robot Dreams’ producer Sandra Tapia on forging a career based on international collaboration
Tapia is the recipient of the inaugural Screen International Catalan Producer of the Year award, to be presented with BCN Film Fest.
Film Export UK chief executive Charlie Bloye to retire: “We aren’t a zombie legacy business” (exclusive)
The long-serving executive will step down after 17 years this July.
Alison Owen talks Amy Winehouse biopic 'Back To Black', new 'Wuthering Heights' film (exclusive)
Owen is making a new feature film of ‘Wuthering Heights’ with Studiocanal, casting now.
Former top NATO execs The Fithian Group on why global industry is poised for growth
Founding partners talk direct distribution, clients’ plans for European studio, and why data rules.
“I’m scared as hell of ageing”: the story behind making ‘Vika!’, about the 84-year old DJ still partying hard
Poland’s Agnieszka Zwiefka has combined observational documentary with scripted musical scenes for the feature doc ‘Vika!’
How the UK first-time directors of ‘Grand Theft Hamlet’ made a film within a game
“Grand Theft Auto and Hamlet - it’s these two cultural beacons that are often misunderstood.”
Meeting Point Vilnius is putting the emphasis on “doing rather than talking”, says Ena Rahelić
Ena Rahelić has reimagined MPV as a boutique event to help internationalise the careers of Lithuanian talent.
Mara Gourd-Mercado on developing CPH:DOX’s industry activities
Documentary festival’s new head of industry and training talks raising money and creating a safe space for discussions.
“You’re always on time. You’re always polite”: Why Ema Ryan Yamazaki directed ‘The Making Of A Japanese’
The Japanese doc director turned her camera on a Japanese elementary school,
Filipino doc director Ramona S Diaz on why she will release ‘And So It Begins’ herself at home
Diaz has tangled with the ruling Marcos family before, with the former first lady trying to prevent the release of ‘Imedia’ in 2003.
