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Joker Revealed

"The Batman" director Matt Reeves released a deleted scene featuring Robert Pattinson's Caped Crusader facing off against his classic nemesis, the Joker, played by Barry Keoghan.

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  • ‘Life & Beth’

    An impressionistic half-hour dramedy, the series feels less like a sitcom than a cousin of FX shows like "Louie," "Better Things" and even "Baskets."

  • ‘Halo’

    Paramount Plus' "Halo" adapts the video game with an evolved Master Chief and big-budget sci-fi world.

  • ‘Minx’

    In the new series "Minx," Jake Johnson and Ophelia Lovibond form a partnership to create feminist porn.

  • ‘Ambulance’

    Michael Bay's latest takes you back to an age when action thrillers were big, loud and ripped off from "Die Hard." But this one, in its violent throttling way, is joyless.

  • ‘Windfall’

    Victim-aggressor dynamics aren't all they initially seem in this lean, mean domestic hostage story from "Se7en" writer Andrew Kevin Walker.

  • ‘X’

    In 1979, a group of scruffy renegades rent a Texas farmhouse to shoot a porn film — and for once the mayhem that follows doesn't feel cheap.

  • Charli XCX’s ‘Crash’

    Charli XCX has alternated between art-ier and more commercial fare, and "Crash," her Atlantic swan song, leaves no doubt where it stands.

  • Mitski’s ‘Laurel Hell’

    Mitski has returned from a hiatus with "Laurel Hell," an album that conveys mixed emotions about how happy the indie rocker is to be back.

  • Cat Power’s ‘Covers’

    On her third album of covers, Cat Power serves up barely recognizable versions of songs by Frank Ocean, Billie Holiday, Iggy Pop and more.

  • ‘The Music Man’

    Hugh Jackman and Sutton Foster lead the cast of this starry Broadway revival of Meredith Willson's "The Music Man," directed by Jerry Zaks.

  • ‘MJ’

    Staged by Christopher Wheeldon and written by Lynn Nottage, this slick show plays like a surface-skimming rehabilitation tour.

  • ‘Intimate Apparel’

    The play's tight construction makes it a natural for a chamber opera with music by Ricky Ian Gordon and direction by Bartlett Sher.

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