‘Stillwater’ Film Review: Matt Damon Plays a Roughneck in a Languid Thriller
”Spotlight“ director Tom McCarthy’s new film follows a well-trodden path while taking plenty of detours along the way
Cannes Report
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Andrea Arnold’s ‘Cow’ Picked Up by IFC Films
Cannes 2021: Distributor previously worked together with filmmaker on ”Fish Tank“
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‘Titane’ Wins Palme d’Or in Chaotic Cannes Film Festival Ceremony
Cannes 2021: There were bold choices and a big blunder from jury president Spike Lee – complete list of winners
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Cannes Report Day 12: The COVID Tally Is 70 as Screenings End and Jury Duty Begins
Cannes 2021: Plus, the awards parade begins while Maria Bakalova hits the red carpet and Sharon Stone calls charity auction bidders ”cheap“
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‘Vortex’ Film Review: Cannes Winds Down With Thoughtful, Heartbreaking Look at Aging
Cannes 2021: Director Gaspar Noe usually tries to shock his audience, but this time he settles into an entirely different but also gripping register
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Will a Weird Cannes Give Us a Weird Palme d’Or Winner?
Cannes 2021: The movies that have been getting all the buzz aren’t necessarily the ones that’ll meet favor with Spike Lee’s jury
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‘Unclenching The Fists’ Wins Un Certain Regard at Cannes, Sells to MUBI
Cannes 2021: Russian drama is directed by Kira Kovalenko
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‘The Restless’ Film Review: Potent Belgian Drama Explores Family Torn Apart by Bipolarity
Cannes 2021: Damien Bonnard is riveting as an artist struggling with the condition, as is Leïla Bekhti as a wife trying to keep the family together
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‘Nitram’ Film Review: Somber Biographical Drama Tracks an Australian Mass Shooter
Cannes 2021: In Justin Kurzel’s film about the 1996 Port Arthur massacre, Caleb Landry Jones plays a real-life killer with pallid intensity
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Cannes 2021: What Has Sold So Far, From ‘Flag Day’ to ‘Bergman Island’ (Updating)
Hot packages like Zoe Kravitz’s directorial debut ”Pussy Island“ have also sold during the festival’s virtual film market
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‘Casablanca Beats’ Film Review: World Cinema Hip-Hop Musical Is a Blitz of Movement and Music
Cannes 2021: Nabil Ayouch’s film argues that the power of personal expression can turn the world on its head
