‘Moonbase 8’ Review: Showtime’s Silly Space Simulation Is Brisk, Disposable Fun
Co-created by Fred Armisen, Tim Heidecker, John C. Reilly, and Jonathan Krisel, the half-hour workplace comedy aims for quirky laughs over grand adventure.
Co-created by Fred Armisen, Tim Heidecker, John C. Reilly, and Jonathan Krisel, the half-hour workplace comedy aims for quirky laughs over grand adventure.
The latest episode of “The Mandalorian” gets as close to the horror genre as “Star Wars” can get, thanks to an impressively terrifying monster.
As the series switches to Peacock, Lennie James continues his incredible twin achievements as both an observant writer and unforgettable performer.
Yes, yes, Peak TV. It’s troubling, we know. There, there, sssshh. Let us offer some assistance in determining what to watch so far in 2020.
Luca Guadagnino’s “Right Here, Right Now VII — And Last” builds to a touching close that both indulges and defies expectations.
Jon Favreau crafts an hourlong western for “The Mandalorian’s” return, but lavish effects and plenty of easter eggs don’t justify the length of this Krayt.
The final season of the German-language series doesn’t always spend its time wisely, but there’s power in seeing how characters grapple with a brand new reality.
Strong turns from Kate Mara and Nick Robinson can’t propel this middling series into any now-virtual water cooler conversation.
Balancing seismic 2020 events with its ongoing story, the two-hour premiere succeeds by dialing down the drama and spotlighting its best character.
Eric Andre is more unpredictable, deranged, and genuinely hilarious than ever in the latest season of his parody of late night talk shows.
Scott Frank’s second Netflix limited series tells a refined coming-of-age story about a prodigious chess player struggling with addiction and despair.
Produced by Nathan Fielder, HBO’s documentary-adjacent look at everyday life in New York has a hint of darkness and a wealth of empathy.