TUESDAY AM UPDATE, writethru with actuals: Fox’s Maze Runner: The Death Cure expanded in its offshore rollout this session, finding a better-than-estimated $64.6M weekend at the international box office. That outpaces both Maze Runner: The Scorch Trials and the original Maze Runner movie. The threequel, which was delayed after star Dylan O’Brien was injured on set in 2016, is playing in a total 71 markets and saw opening No. 1s in 58 this frame, led by China. The overseas cume after last weekend’s bow in just four markets is $84M through Sunday, including $22.2M in the Middle Kingdom which is well above the openings of the previous films, and also above the Sunday estimate despite strong competition in the market.
The Wes Ball-helmed pic is IMAX’s first global day and date release of 2018 and earned $8M from 1,125 IMAX screens in 57 markets including North America. Globally it’s the format’s 2nd highest grossing January opening ever, behind 2015’s American Sniper.
While the final Maze Runner installment gets going, king of the holdover, Jumanji: Welcome To The Jungle is continuing its wild ride. The Sony adventure has rocked its worldwide cume to $821.8M, swinging past the original Spider-Man to become the studio’s 5th biggest movie ever at the global box office.
The astonishing trajectory of this Jake Kasdan-helmed favorite was aided this weekend by $18.67M from overseas where the cume is now $484M. Holds have been intense in places like Spain, the UAE, Australia, Germany, France, Mexico, the UK and Brazil. China has lifted to $72.4M to lead all markets. Remember, Japan is still to come in April.
Elsewhere, Blumhouse’s Insidious: The Last Key has officially become the top international entry in the franchise with $81.1M to date. This weekend it overtook Insidious: Chapter 2 at $77.9M. All told, the series of four films has grossed $275.1M overseas.
In other milestones, Working Title/Focus’ Darkest Hour is nearing the $100M worldwide mark. And, Disney/Lucasfilm’s Star Wars: The Last Jedi crossed $1.3B worldwide and $700M internationally. It has also become IMAX’s 3rd biggest global release ever with $125M.
On deck next week are more expansions with no major new releases as global auds look to get hot and bothered beginning February 7 when Fifty Shades Freed is unleashed by Universal. Otherwise, Oscar nominees will continue to bask in the box office bumps the potential of a little gold guy can offer. And Fox’s The Greatest Showman is going to China (he’s also getting a special IMAX run in the UK).
Breakdowns and actuals on the titles above and more have been updated below (figures for The Commuter have also been added):
HOLDOVERS/EXPANSIONS
MAZE RUNNER: THE DEATH CURE
China got off the block at $22.2M for No. 1 despite stiff competition in the market. Russia also opened tops with $4.24M and Indonesia scored Fox’s 5th biggest bow ever with $2.95M. Korea had already opened last weekend and now stands at $15.1M, holding at No. 3.
In IMAX, China grossed $2.2M on 486 screens, with the $3.3M balance coming from 262 screens in 55 other markets.
Wes Ball returns to direct with the story following Thomas (Dylan O’Brien) as he embarks on a mission to find a cure for a deadly disease known as The Flare. Shooting on the picture was delayed when O’Brien suffered a serious injury during filming in 2016 and the release was pushed from February 2017 to this month. Next weekend sees 11 new markets join the race including Germany, Italy, Mexico, Belgium and India.
China was the top play on Scorch Trials with $29.6M. That film had an ultimate offshore cume of $230.6M while the first one scored $246M.
JUMANJI: WELCOME TO THE JUNGLE
This weekend added $18.67M overseas for a $484M international cume. Holds have a rather smoldering intensity in such markets as South Africa (-20%), Spain (-22%), the UAE (-24%), Australia (-25%), Germany (-27%), the Netherlands (-33%), France (-34%), Mexico (-34%), the UK (-35%), and Brazil (-35%).
In all this session, Dwayne Johnson, Jack Black, Kevin Hart and Karen Gillan were playing on 10,800 screens in 92 markets.
The current Top 5 hubs are China ($72.4M – slowing with increased competition in the market), the UK ($46.2M), Australia ($34.8M), France ($25.9M) and Russia ($24.7M).
COCO
Korea is holding nicely in the 3rd session with a mere 13% drop despite strong local competition. Miguel unpacked his guitar case in the UK last weekend, and this time around dipped 30% for an $11.4M cume. This is in advance of school holidays that start in two weeks and Coco is expected to play through.
The Top 5 markets are China ($183.5M), Mexico ($57.8M), France ($31.5M), Spain ($19.4M) and Korea ($19.1M).
THE COMMUTER
France was a No. 2 open for 233K admissions ($1.9M), to come in 45% below Non Stop, 30% below Unknown and 54% above Run All Night.
Italy (via Eagle Pictures) bowed No. 2 with $1.32M on 243 screens. That’s well above the following comps: The Accountant (+94%), Unstoppable (+85%), Unknown (+64%) and Source Code (+37%). Spain (Tripictures) opened to $525K on 230, 16% below Non Stop. Belgium (eOne) was $394K on 53, above Unknown and below Non Stop.
In major holds, the UK cume, in a very competitive landscape, is $4M. Germany has grossed $5M after three frames. Mexico is at $3.6M. The Middle East has taken $4.9M as a region across 11 markets. The Netherlands ($1.67M cume) and South Africa ($644K) are holding well.
Korea opened via Medialog and came in below expectations at $1.7M from 553. Strong local movies and cold weather impacted business — the latter keeping older audiences at home.
FERDINAND
THE POST
France and Brazil were the new majors via Uni this session with strong starts boosted by last week’s Oscar nominations. France, where the movie is actually titled Pentagon Papers, opened at No. 1 with $3.26M and strong word of mouth. It grossed $1M on Saturday alone (movies open in France on a Wed) and is comping upwards of Lincoln (+10%), Bridge Of Spies (+66%) and Spotlight (+141%), but below Sully (-8%).
Brazil bowed No. 4 at $914K. At 202 locations, this was a great start behind Maze Runner, Ferdinand and Jumanji. It’s also tracking well ahead of comps: Spotlight (+224%), Bridge Of Spies (+58%), Sully (+39%) and The Big Short (+22%).
In the UK (via eOne), The Post dipped 25% in its sophomore frame. In Spain (also eOne), it held at No. 2 for a $3.5M cume. Coming this week are Italy, the Netherlands and Mexico.
THE GREATEST SHOWMAN
WONDER
After crossing $250M worldwide during the week, Lionsgate’s inspirational family story has now risen to $266.2M global with $135.7M internationally. The weekend was worth $9.8M in 59 markets. Wonder was wunderbar in its Germany opening, claiming No. 1 with $2.1M on 463 screens. Brazil continues to lead all play with $27.3M and China is next with $18.4M after 10 days. There are more releases to come in February and March.
DARKEST HOUR
The UK saw a fantastic 20% drop for a $3.6M weekend and a $21M cume; it also held No. 1 to best newcomer Maze Runner. Other major markets are France ($4.1M), Australia ($3.3M) and Italy ($3.2M). Several more jump aboard next weekend while Japan bows March 30.
THREE BILLBOARDS OUTSIDE EBBING MISSOURI
Germany was a new hub for Frances McDormand, Sam Rockwell, Woody Harrelson and the gang, grossing $1.1M at 190 dates and a No. 4 start. Mexico bowed with $303K on 181 screens.
Australia (+17% this session) has now cumed $5.2M and Spain (+5%) is at $3.7M. There are still 37 markets to come.
INSIDIOUS: THE LAST KEY
STAR WARS: THE LAST JEDI
Disney/Lucasfilm’s Star Wars: The Last Jedi has reached a new IMAX benchmark, pulling in $125M globally to become the No. 3 biggest movie ever in the format (it surpassed Jurassic World this weekend). In overall play, Jedi worked mind tricks for a better-than-estimated $5.2M in 37 material markets this session. The international cume is now $701.1M for $1,311.8M worldwide. Japan continues to hold well (-26%) as does Australia (-27%). The Top 5 markets are the UK ($110.3M), Germany ($81.2M), France ($64.2M), Japan ($62.6M) and Australia ($44.3M).
THE SHAPE OF WATER
I, TONYA
CALL ME BY YOUR NAME
ALL THE MONEY IN THE WORLD
Eastern Europe opened with $480K from 474 locations including 130 in Poland which grossed $195K. That’s on par with The Big Short and 81% ahead of Spotlight. The Middle East started off with $401K from 180 locations; the UAE was hosting the movie at 80 for $223K. That’s 38% ahead of The Big Short and on par with Prisoners. France has now crossed $2M in its 5th weekend with an estimated cume of $2.04M from 90 locations.
Upcoming key market releases include Korea, Taiwan, Germany, Mexico, Russia, China and Japan.
MISC UPDATED CUMES/NOTABLES
12 Strong (LG): $1.84M intl weekend (28 markets); $5.4M intl cume
Pitch Perfect 3 (UNI): $1.7M intl weekend (35 markets); $77.3M intl cume
Geostorm (WB): $1.5M intl weekend (Japan only); $182.5M intl cume
Molly’s Game (S/A): $1.4M intl weekend; $19.9M intl cume
Benedetta Follia (UNI): $1.1M intl weekend (Italy only); $9.1M Italian cume
Help, I Shrunk My Parents (SNY): $1.1M intl weekend (4 markets); $2.9M intl cume
Woody Woodpecker (UNI): $700K intl weekend (7 markets); $9.3M intl cume
Perfectos Desconocidos (UNI): $700K intl weekend (Spain only); $22.3M Spanish cume