Breathe
A film that sentimentalizes and softens what was clearly a very difficult situation, turning something that should be powerful and true into something that too…
A film that sentimentalizes and softens what was clearly a very difficult situation, turning something that should be powerful and true into something that too…
mother! is at times horrifying, at times riveting, at times baffling, and at times like nothing you’ve ever seen before.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about the TIFF Ebert Tribute Luncheon honoring Wim Wenders on Sunday, September 10th.
An article about the new book, "Herzog by Ebert" and book signing in Telluride by Werner Herzog
Clowns are scary.
An article about the TIFF Ebert Tribute Luncheon honoring Wim Wenders on Sunday, September 10th.
Far flung correspondent Seongyong Cho writes about a warm contemporary romance drama from South Korea.
In 2017, Asians and Asian Americans and, indeed, all minorities, need to be more than local color or types who can be easily replaced.
A table of contents featuring our coverage of the 2017 Telluride Film Festival.
A report on new films from Armando Iannucci, Aaron Sorkin, and Lynn Shelton.
Seongyong Cho was born in Jeon-ju, South Korea. He did graduate work at the Korean Advanced Institute of Science
and Technology (KAIST) in Dae-jeon. His passion
for good movies continues its primitive rampage, which includes weekly pilgrimages
to the local multiplex. He started his blog in 2008 and writes nuumerous reviews. In the midst of that, he manages to find time for
books, music, exercise (usually treadmill and swimming), and corresponding
with other bloggers.
Far flung correspondent Seongyong Cho writes about a warm contemporary romance drama from South Korea.
Far flung correspondent Seongyong Cho celebrates one of the best South Korean films from last year, "The World of Us."
FFC Seongyong Cho looks at Park Chan-wook's "The Handmaiden," which will be playing this Thursday at Ebertfest.
A look back at Kasi Lemmons' 1997 film, "Eve's Bayou."
FFC Seongyong Cho explores Frederick Wiseman's 2014 documentary, "National Gallery."
FFC Seongyong Cho on watching 2006's dystopian thriller "Children of Men" ten years later.
An FFC (Far Flung Correspondent) reviews "Son of Clowns."
A report by FFC Seongyong Cho about Andrew Ahn's "Spa Night," which recently played the Jeonju International Film Festival.
FFC Seongyong Cho on Paul Weitz's "Grandma."
A FFC essay on Robert De Niro's 1993 directorial debut "A Bronx Tale."