Edgar Wright’s car-chase caper explores the wonders—and the dangers—of everyone having their own soundtrack.
Gabe Habash’s impressive debut novel delves into the mind of a college wrestler determined to win a championship no matter the cost.
Edgar Wright’s latest film is easy to dismiss as an exercise in style, but he’s both paying homage to, and subverting, the morality of the getaway driver.
The term’s evolution makes a nice metaphor for the rise of American individualism—and the decline of trust in American institutions.
On Sunday, the president posted a video making light of violence. The move was both highly unusual and completely at home in this turbulent political moment.
Omar Robert Hamilton’s debut novel, The City Always Wins, follows members of an activist media collective chronicling the aftermath of the Egyptian uprising.
The franchise’s evolving complexity, its young protagonists, and its accessibility make it a particularly apt reflection of entering adulthood.
Highlights from seven days of reading about arts and entertainment
A roundup of our recent writing on arts and entertainment
His new album 4:44 has a confessional thread, but it pushes a deeper message about commerce and racial progress.
In 1966, at the age of fourteen, Palestinian-American writer Naomi Shihab Nye moved from Missouri to the West Bank with…
Diane Paulus, Branden Jacobs-Jenkins, and Robert Schenkkan discuss how the Public Theater’s recent production of Julius Caesar fits into a grand artistic tradition.
Jeff Baena’s new film juxtaposes foul-mouthed 21st-century humor with bawdy tales from the Middle Ages.
It’s one of the most loved ideas in American life. Perhaps, though, it should be one of the most resented.
The show’s producer, Jeffrey Seller, explains how its November statement to Vice President-elect Mike Pence came about.
Films like The House, which cast the actor as a frustrated suburban everyman, are a waste of his unique comic talents.
American pop culture has worked to normalize women’s bleeding. The American president has missed that memo.
Culture can change the world, the art historian Sarah Lewis and the architect Michael Murphy argue, if it can get people to slow down.
Set for an English-language remake, the recently ended Skam was a wildly popular web show about Oslo high-schoolers that resonated for its realism.
Lil Buck and Jon Boogz use their performances to get people to reconsider what movement can do.
The show, this season, with exploitative plotlines that treat racism as entertainment, is becoming harder and harder to defend.