Ranked: The Best & Worst TV Shows Based on Books

1. Homicide: Life on the Street 94 (NBC, 1993–99)
Based on the book Homicide: A Year on the Killing Streets (1991) by David Simon

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When Homicide debuted on NBC following Super Bowl XXVII, it was like nothing critics had ever seen before. (Homicide, that is, not the Super Bowl; the latte was yet another Bills defeat.) Grittier, more naturalistic, and more smartly written than any TV cop show that preceded it, Homicide was unafraid to let murder cases linger unsolved, spend an entire episode in an interrogation room, or provide numerous prominent roles for African-American actors to better represent its Baltimore setting.

It was here that the terrific Andre Braugher became a breakout star, and it is here where Richard Belzer began his record-setting, decades-long run playing Detective John Munch, who has since popped up on eight other shows. While the perpetually ratings-challenged series lost some of its greatness in later seasons when network executives continued to meddle in the show's casting and format, it is still generally regarded as the finest cop show in network television history.

Homicide was adapted (by producer/director Barry Levinson and film critic-turned-screenwriter Paul Attanasio) from an award-winning nonfiction book by a Baltimore Sun reporter named David Simon, who had spent a year embedded with a Baltimore police homicide unit. Though Simon originally declined an opportunity to work on the TV program, he began writing for the series in its second season, and came on board as a producer in season 6. His growing TV experience gave him the confidence to handle the adaptation of another of his nonfiction books into an HBO miniseries, The Corner. And from there, Simon went about constructing a series from scratch. The result was perhaps the best-ever TV series, period: The Wire.

2. Boardwalk Empire 88 (HBO, 2010–14)
Based on Boardwalk Empire: The Birth, High Times, and Corruption of Atlantic City (2002) by Nelson Johnson

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Set during Prohibition-era Atlantic City, Boardwalk Empire is based on a nonfiction account of local mob kingpin Enoch L. "Nucky" Johnson, here changed to Enoch "Nucky" Thompson (and played by Steve Buscemi). Though this Martin Scorsese-directed, Terence Winter-scripted series hasn't quite matched the same stellar ratings or levels of acclaim as past HBO hits like The Sopranos (which Winter also wrote for), it has still done fairly well for the pay cable network, securing 40 Emmy nominations over its first four seasons. A shortened fifth season—which will wrap up the series for good—launches on September 7th; here's the new trailer.

(tie) 3. Masters of Sex 85 (Showtime, 2013–)
Based on Masters of Sex: The Life and Times of William Masters and Virginia Johnson, the Couple Who Taught America How to Love (2009) by Thomas Maier

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The highest-scoring Showtime series to date not named Homeland, Masters of Sex is, like the two shows above, also based on a nonfiction book, this one a lengthy biography of human sexuality pioneers William Masters and Virginia Johnson by journalist Thomas Maier. Adapting a book that spans many decades is no easy task, but writer/producer Michelle Ashford (The Pacific, Boomtown) seems to have pulled it off; the show's currently airing second season has collected even better reviews than its debut season. And if you want author Maier's take on how the series compares to his book, check out critic Alan Sepinwall's weekly episode recaps; Maier (who also serves as a producer on the program) usually offers his insight in the comments section.

(tie) 3. Sherlock 85 (PBS, 2010–)
Based on Sherlock Holmes books and stories (1887–1927) by Sir Arthur Conan Doyle

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One of two Sherlock Holmes series currently on the air (along with the CBS entry Elementary), the BBC's Emmy-nominated Sherlock uses a different individual Doyle story as the loose inspiration behind each two-hour episode, though events have been transported to present-day London. Series co-creator Steven Moffat is no stranger to adapting classic British literature to the small screen, having already done so for the 2007 BBC series Jekyll (based loosely on Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde). Of course, the Emmy folks seem to think Sherlock is a TV movie (or, rather, a bunch of 'em), but since it is a recurring show with multiple episodes across multiple seasons, it seems more like a "series" to us. And there is at least one more season to come, though you may not get to see it until 2016.

(tie) 5. Call the Midwife 80 (PBS, 2012–)
Based on Call the Midwife: A Memoir of Birth, Joy, and Hard Times (2002) by Jennifer Worth

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Another PBS import of a BBC drama series, Call the Midwife focuses on, well, a group of nurse midwives, who work in London's East End in the 1950s. The first two seasons are based on a trilogy of memoirs by nurse Jennifer Worth, though, having exhausted the source material, series creator Heidi Thomas has since moved on to original storylines (with the blessings of the author, who died as the show entered production). A surprisingly massive hit in the UK (though less so here, where it hasn't quite captured the American imagination like Downton Abbey has), Midwife is set to return for a fourth season next spring.

(tie) 5. Justified 80 (FX, 2010–15)
Based on Pronto and Riding the Rap (and short stories) (1993–) by Elmore Leonard

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Just one of several critic-approved Elmore Leonard adaptations listed on this page, Graham Yost's neo-western Justified is the only one to turn those appreciative reviews into lasting commercial success. Perhaps one reason for that longevity is the involvement of Leonard himself. Up until his death last fall, the author (who didn't always approve of adaptations of his work) spent time on the set mentoring Yost, who in turn was driven (along with the other writers, who took to wearing "What Would Elmore Do?" wristbands) to continue to produce work that Leonard would be proud of. And Leonard was inspired by the success of Justified to continue writing additional stories about lead character Raylan Givens (played by Timothy Olyphant), which were then recycled back into the show. All good things must end eventually, though, and Justified will conclude with a sixth season in early 2015.

(tie) 7. Game of Thrones 79 (HBO, 2011–)
Based on A Song of Ice and Fire series (1996–never) by George R. R. Martin

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Yes, it probably should be ranked higher, but it took critics (and the general public) a while to warm up to just how good a TV program based on a series of fantasy novels could be. Of course, they aren't just any fantasy novels; George R. R. Martin's Song of Ice and Fire books have won millions of fans by elevating (or even transcending) the genre with complex, more realistic storytelling and an ever-expanding cast of schemers that wouldn't seem out of place in a more modern-day setting (well, if they weren't so dreadfully bad at wedding planning). At the rate Martin is writing additional installments, however, it is likely that within a few years he'll be adapting David Benioff and D. B. Weiss's TV series for his books, rather than the other way around.

(tie) 7. Orange Is the New Black 79 (Netflix, 2013–)
Based on Orange Is the New Black: My Year in a Women's Prison (2010) by Piper Kerman

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While House of Cards (#14 on our list, below) might be the show that first put Netflix on the map, Orange Is the New Black is the series that proved that it is here to stay as a player in the world of original TV production. Based on Piper Kerman's account of her time spent behind bars on a drug trafficking conviction, Orange is currently waiting to see whether it collects on any of its nine first-season Emmy nominations (while its second season, which launched a few months ago, might be even better). Of course, in addition to adding characters and storylines not present in the memoir, Jenji Kohan's dramedy also takes numerous liberties with the true-life story, as the central characters' real-life counterparts are fond of pointing out (for example, here, here, and here).

(tie) 7. A Young Doctor's Notebook 79 (Ovation, 2013–)
Based on A Country Doctor's Notebook (1975) and other stories by Mikhail Bulgakov

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We're guessing (at least if you live in the U.S.) that you were unaware that there is a critically acclaimed, period dark comedy currently on the air that stars Harry Potter's Daniel Radcliffe and Mad Men's Jon Hamm—playing the same character, no less. This British production is so under the radar here because of its home: the little-watched arts network Ovation (which you may also be unaware of). This semi-autobiographical tale about a morphine-addicted doctor in the year 1917 is based on the writings (and life) of Russian surgeon-turned-author Mikhail Bulgakov, best known for his classic novel The Master and Margarita. A second season of the series debuts on Ovation next Tuesday at 10p.

(tie) 10. Friday Night Lights 78 (NBC/DirecTV, 2006–11)
Based on Friday Night Lights: A Town, a Team, and a Dream (1990) by H. G. Bissinger

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NBC actually adapted Buzz Bissinger's nonfiction account of high school football in a small Texas town twice. Their first, unsuccessful attempt, was the 1993 series Against the Grain, which was loosely inspired by the book (producers did not have official rights) and took a disappointingly wholesome, feel-good approach that rubbed critics the wrong way (even if it did star a young Ben Affleck as the team quarterback). The second attempt, of course, is one of the better TV dramas of the last 10 years, especially if you pretend the "Landry kills!" storyline never happened (as the show's producers seemed to do in later seasons). Author Bissinger, by the way, is the cousin of Peter Berg, who directed the theatrical film in addition to bringing Friday Night Lights to the small screen.

(tie) 10. Gideon's Crossing 78 (ABC, 2000–01)
Based on The Measure of Our Days (1997) by Jerome Groopman

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Our top 10 started with Andre Braugher, and it ends with Braugher again. Here, he plays a doctor rather than a cop—he's Dr. Ben Gideon, the chief of experimental medicine at a prominent Boston teaching hospital, where he must split time as an administrator and instructor (while simultaneously trying to raise three kids as a single father). Even if Gideon's Crossing came off as overly serious and talk-heavy, critics admired the show's smarts and realism, both probably influenced by the source material, a well-received and thoughtful book by Harvard Medical School professor Jerome Groopman. Though ABC tried to generate interest in the series—including a two-part crossover episode with hit series The Practice—low ratings doomed Crossing to a single-season run, and the series has never been issued on DVD.

106. Dinotopia 35 (ABC, 2002)
Based on the Dinotopia series (1992–2007) by James Gurney

Ultra-prolific TV producer Robert Halmi Sr., who died last month at the age of 90, had so many credits to his name that obituaries could scarcely begin to list them all. Few (if any) of his productions, however, were as misguided as this adaptation of James Gurney's illustrated book series about a utopia where intelligent dinosaurs co-exist with humans. The adaptation began life as a Disney Channel miniseries, but ABC executives became so excited at the prospects of its success that they ordered a regular primetime Dinotopia series—and began filming it, with a completely different cast—while the miniseries was still in production. That "calculated risk," as the network described it, backfired in a massive way. The $85 million miniseries featured a director unprepared for the intricacies of blue screens and computer-generated effects, and it turned out to be not quite the blockbuster the network was hoping for. And whatever small amount of goodwill that the miniseries had created with fans dissipated when the regular series launched later that year with an all-new group of actors, even cheaper-looking effects, and a lot less action—not to mention abysmal writing, which is what critics complained about the most. By the time the series was canceled six episodes into its 13-episode first season, it was drawing just four million viewers a week—dismal ratings for a high-budget series even by today's standards (let alone those of 12 years ago).

107. Murphy's Law 31 (ABC, 1988–89)
Based on the Trace series (1983–1987) by Warren Murphy

This Moonlighting knockoff (even down to the requisite Al Jarreau theme song) casts George Segal as insurance claims investigator, alcoholic, and general screw-up Daedalus Murphy (the show's version of the novels' Devlin Tracy), who shares a house—and a banter-heavy, will they/won't they relationship—with a fashion model played by Maggie Han. Murphy's Law attempted to land the same blend of detective noir and humor present in Murphy's books (as well as the aforementioned Moonlighting, which was nearing the end of its five-year run on the same network). But critics weren't buying any of it, finding the premise, relationships, and dialogue as phony as Segal's odd semi-Irish accent, and the series was canceled after a dozen episodes.

108. Hidden Hills 29 (NBC, 2002–03)
Based on Surviving Suburbia: The Best of the Guy Chronicles (2003) by Chris Erskine

In 2002, NBC still had a Tuesday night hit on its hands in Frasier, but could not come up with a satisfying solution for the problem of what to pair with it. Hidden Hills was the first of three failed attempts that season. This ensemble sitcom (from the man who brought you Nutty Professor II: The Klumps!) was set in a suburban gated community and was based on a published compilation of observational newspaper essays by Chris Erskine of the Los Angeles Times (think of him as a less funny Dave Barry). Observational humor about suburban living didn't seem to be enough to satisfy NBC execs, though, so the show was loaded with a forced rapid-fire pace, slow-motion fantasy sequences, unnecessary voice-over narration, and generally crude and sophomoric humor. The network described the series as "Like your life. Only funnier." But as critic Tom Long wrote, "This series reflects the way wealthy, neurotic, overly busy and sex-obsessed TV executives and producers think America lives, in other words, the way they live. They're wrong. Most of us are not TV executives."