Checking Back
‘The King and I,’ With Hoon Lee as a More Tragic Monarch
By BEN BRANTLEY
Mr. Lee, who stepped in as His Majesty in September, invests his character with a wit and poignancy and an electric attraction to Kelli O’Hara’s Anna.
Stars of “Finding Neverland, “Wicked” and “On Your Feet” decorate their personal spaces to remind them of the season.
Through music, film and an animated series, artists are changing the narrative about what separates Mexico and the United States.
For two decades, Ms. Carey has had her snow boots planted on the rungs of the holiday music ladder, with “All I Want for Christmas Is You.”
Ms. Erivo, a 28-year-old British actress, is the talk of Broadway as critics rave about her performance as Celie in a revival of “The Color Purple.”
Charlotte Rampling and Tom Courtenay play a couple whose union is unexpectedly complicated by the discovery of the husband’s long-dead former girlfriend in a glacier.
The director and others involved in the film, including Leonardo DiCaprio, speak of the movie’s hard-core challenges, natural as well as man-made.
In a mock-news ecosystem typically defined by slick jabs and arched eyebrows, Mr. Wilmore’s show often reveals a tone of exasperation.
Mr. Lee, who stepped in as His Majesty in September, invests his character with a wit and poignancy and an electric attraction to Kelli O’Hara’s Anna.
Nathan Nugent didn’t just serve as editor on the film; he also shot some footage. Possibly too much, as he found later when he went to cut it.
A trove of paintings from Sweden will be shown at the Morgan Library & Museum in 2017.
The music of the Beatles will finally be available on nine streaming music services worldwide, including Spotify and Apple Music, beginning Dec. 24.
One writer buttoned up, another untucked, John Updike and Jim Harrison couldn’t be more different. But poetry strips away external identities to reveal the similarities within.
Two recently restored works by the 17th-century Dutch artist Isack van Ostade reveal figures behaving less than decorously.
Mr. Moore travels through Europe in search of solutions to what he considers to be America’s social ills.
It’s not that no one suspected there was a bubble; it’s that few people saw its full implications, and how far the contagion might spread.
Whooping, chanting and caroling, reviewers from The Times sampled three of the 12 musical parades organized as part of this annual event.
Half a dozen ballerinas make their debuts as the Sugarplum Fairy, and great past performances of the role can be appreciated anew.
This double bill of one-acts by Thornton Wilder traces 90 years in the life of a family over a dinner table, and invites audience participation during a fictional train trip.
Mr. Cage bought the the skull of a Tyrannosaurus bataar at auction for $276,000. But authorities say it was stolen from the Gobi Desert in Mongolia.
The charges against Alonzo Knowles illustrate the ease with which private email contacts, even for security-conscious entertainers, can be exploited.
The League of American Orchestras said it was unaware of any other orchestra tours being canceled for safety reasons.
A hedge fund manager’s donation to the Museum of Modern Art is one of the largest gifts in its 86-year history.
It would be the most perverse kind of fandom for any Potterphile to use the reasoning of a Malfoy.
The British artist’s third album spends a fourth week at No. 1 on the Billboard album chart, while Coldplay’s LP falls from second place to No. 7.
The New York Times’s music critics discuss their favorite songs of the year.
Quickly bone up on the films leading up to “The Force Awakens.”
Americans lined up on Thursday night for the beginning of round-the-clock screenings.
Ms. Ridley and Mr. Boyega, among the new heroes of “The Force Awakens,” discuss how they are preparing for worldwide visibility and making their marks in a multibillion-dollar franchise.
J. J. Abrams, the director, turns out to be what this stagnant franchise needs: a superfan and pop culture savant.
Sequels generally don’t land major nominations, but the fact that “The Force Awakens” doesn’t break new ground may be a bigger issue for the Academy.
The delusion of permanence is one theme of a stately exhibition of stone works at the Noguchi Museum.
From Annie Lennox to Roberta Vinci to Tracee Ellis Ross, performances that amazed this year and will linger into 2016.
A year of singles that included a Justin Bieber electronic oddity, a Drake meme hit and a Bob Dylan take on Sinatra.
This year brought more original shows than ever before. But which ones cut through the clutter to become the best of 2015?
Our classical music team looks back at a sign of hope for Paris and other triumphs of the year.
Dance took off in unexpected directions this year. Our critics look back at some of the biggest surprises.
This year offered winning releases from familiar faces, global flavor and meditations on nature.
Our critics discuss their favorite films of the year.
“Hamilton,” “An American in Paris” and “Eclipsed” are among the highlights.
The co-chief art critics for The New York Times on the most notable themes of the year.
The theme once again: abandonment.
As promised, the season finale solved the show’s two-season-long mystery.
After the intense end of episode 9, the season finale feels a bit like a hangover.
From Oscar hopefuls to blockbuster franchises, a look at select trailers from movies in theaters this season that may fit your holiday mood.
Neil Genzlinger explores holiday shows by Judy Garland, Pee-wee Herman and others.
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