Louis Le Prince: Difference between revisions
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The only existing images from Le Prince's 16-lens camera are a sequence of 16 frames of a man walking around a corner. This appears to have been shot onto a single glass plate (which has since broken), rather than the twin strips of Eastman paper film envisaged in his patent. Jacques Pfend, a French cinema-historian and Le Prince specialist, confirms that these images were shot in Paris, at the corner of Rue Bochart-de-Saron (where Le Prince was living) and Avenue Trudaine. Le Prince sent 8 images of his mechanic running (which may be from this sequence) to his wife in New York City in a letter dated 18 August 1887,<ref>Letter dated 18 August 1887 in Louis Le Prince Collection at Leeds University Library</ref> which suggests it represented a significant camera test. Exposure is very irregular from lens to lens with some of the images almost completely bleached out, which Le Prince later on fixed. |
The only existing images from Le Prince's 16-lens camera are a sequence of 16 frames of a man walking around a corner. This appears to have been shot onto a single glass plate (which has since broken), rather than the twin strips of Eastman paper film envisaged in his patent. Jacques Pfend, a French cinema-historian and Le Prince specialist, confirms that these images were shot in Paris, at the corner of Rue Bochart-de-Saron (where Le Prince was living) and Avenue Trudaine. Le Prince sent 8 images of his mechanic running (which may be from this sequence) to his wife in New York City in a letter dated 18 August 1887,<ref>Letter dated 18 August 1887 in Louis Le Prince Collection at Leeds University Library</ref> which suggests it represented a significant camera test. Exposure is very irregular from lens to lens with some of the images almost completely bleached out, which Le Prince later on fixed. |
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===''Roundhay Garden Scene'' (Single-Lens Camera |
===''Roundhay Garden Scene'' (Single-Lens Camera
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